I liked the Kim Petras piece, for the “Woo AHH” bit, and the hat anecdote. I’m not very fired up to read the rest of it though. That said, in principle I’m more into the idea of a a regular music (or perhaps “film” since the NYer is too pretentious to call it movies) issue than a style issue, or an innovators issue, or even to be honest a money issue since that so often veers into credulous profiles.
I think you nailed it: an issue about "the music business"; a special issue about music would have been something completely different.
As an ignorant reader, other than the odd bit of gossip or public outrage, "One for the Money" was an entertaining insight to the world of private performances. It did get repetitive, but was otherwise interesting for this ordinary person. He had an inexplicable throw away line suggesting that it was baffling that AC/DC are in the no-go zone for private performances. Huh? They're uber wealthy, have always been true and principled, never step outside their lane, and live quietly in tax effective countries. I got the impression he doesn't know anything about the band. It was just a weird moment in this long piece.
BRAVOO!!! ‘kind of a big deal.’ 💕♥️👑
I'm so happy to be mentioned in your newsletter, which I love! Thank you!
I liked the Kim Petras piece, for the “Woo AHH” bit, and the hat anecdote. I’m not very fired up to read the rest of it though. That said, in principle I’m more into the idea of a a regular music (or perhaps “film” since the NYer is too pretentious to call it movies) issue than a style issue, or an innovators issue, or even to be honest a money issue since that so often veers into credulous profiles.
I think you nailed it: an issue about "the music business"; a special issue about music would have been something completely different.
As an ignorant reader, other than the odd bit of gossip or public outrage, "One for the Money" was an entertaining insight to the world of private performances. It did get repetitive, but was otherwise interesting for this ordinary person. He had an inexplicable throw away line suggesting that it was baffling that AC/DC are in the no-go zone for private performances. Huh? They're uber wealthy, have always been true and principled, never step outside their lane, and live quietly in tax effective countries. I got the impression he doesn't know anything about the band. It was just a weird moment in this long piece.
But George Eliot and Marian Evans are the same person!